1 00:00:01,775 --> 00:00:04,358 (gentle music) 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:15,663 --> 00:00:18,246 (gentle music) 5 00:00:45,748 --> 00:00:49,165 (gentle music continues) 6 00:00:55,039 --> 00:00:59,372 (choir singing in foreign language) 7 00:02:41,101 --> 00:02:45,434 (woman singing in foreign language) 8 00:02:46,298 --> 00:02:49,131 (liquor sloshing) 9 00:02:53,858 --> 00:02:56,775 (cigarette hisses) 10 00:02:58,114 --> 00:03:00,614 (woman blows) 11 00:03:02,719 --> 00:03:07,052 (woman singing in foreign language) 12 00:03:08,935 --> 00:03:13,268 (choir singing in foreign language) 13 00:03:36,326 --> 00:03:37,546 (footsteps tapping) 14 00:03:37,546 --> 00:03:40,046 (woman blows) 15 00:04:04,337 --> 00:04:07,754 (gentle music continues) 16 00:04:09,565 --> 00:04:13,724 (choir singing in foreign language) 17 00:04:13,724 --> 00:04:16,391 (woman screams) 18 00:04:24,265 --> 00:04:26,765 (chair thuds) 19 00:04:29,938 --> 00:04:34,271 (choir singing in foreign language) 20 00:04:40,925 --> 00:04:43,758 (cigarette thuds) 21 00:04:50,159 --> 00:04:54,492 (choir singing in foreign language) 22 00:05:17,284 --> 00:05:20,284 (footsteps tapping) 23 00:05:28,594 --> 00:05:29,717 - Taking in the Barnard? 24 00:05:29,717 --> 00:05:30,668 - [Jennifer] Yeah. 25 00:05:30,668 --> 00:05:31,915 - [Leo] It's impressive work, isn't it? 26 00:05:31,915 --> 00:05:36,243 - Yeah, managed to take pop art to a new level of banality. 27 00:05:36,243 --> 00:05:39,480 - Now, Miss Cole, be kind. 28 00:05:39,480 --> 00:05:41,550 They're struggling artists. 29 00:05:41,550 --> 00:05:43,470 They do suffer so for their art. 30 00:05:43,470 --> 00:05:46,690 - Yes, and pass it on to the consumer. 31 00:05:46,690 --> 00:05:49,485 - Well, I hope you'll be more charitable in your review. 32 00:05:49,485 --> 00:05:51,127 - Mm, I will. 33 00:05:51,127 --> 00:05:54,390 - You know, I was thinking that maybe next week 34 00:05:54,390 --> 00:05:55,800 at the opening you could come 35 00:05:55,800 --> 00:05:58,200 and meet some of my artists, 36 00:05:58,200 --> 00:06:00,145 and then maybe you might. 37 00:06:00,145 --> 00:06:02,845 - (chuckles) Lose my objectivity. 38 00:06:02,845 --> 00:06:05,070 No, you wouldn't want that, would you? 39 00:06:05,070 --> 00:06:05,903 - No. 40 00:06:07,882 --> 00:06:12,420 My, you are too young and too beautiful to be such a cynic. 41 00:06:12,420 --> 00:06:15,210 - [Jennifer] Julian Jons, wasn't he convicted of murder? 42 00:06:15,210 --> 00:06:17,373 - Now that is quite remarkable. 43 00:06:19,320 --> 00:06:21,150 - But I thought he, you know. 44 00:06:21,150 --> 00:06:24,330 - Oh, no, he's back at work. 45 00:06:24,330 --> 00:06:26,040 In fact, he's putting on a show for me. 46 00:06:26,040 --> 00:06:26,873 - Here, a show? 47 00:06:26,873 --> 00:06:27,933 - In the fall. 48 00:06:29,190 --> 00:06:30,440 - Are they all like this? 49 00:06:31,320 --> 00:06:33,070 - He's entering a different period. 50 00:06:33,979 --> 00:06:36,562 (gentle music) 51 00:06:43,495 --> 00:06:46,296 (birds chirping) 52 00:06:46,296 --> 00:06:49,296 (keyboard clacking) 53 00:06:54,177 --> 00:06:55,740 (door scrapes) 54 00:06:55,740 --> 00:06:57,548 - He peed on the bed again. 55 00:06:57,548 --> 00:06:59,910 - [Jennifer] (chuckles) Just being territorial. 56 00:06:59,910 --> 00:07:02,250 Maybe you should get another boyfriend. 57 00:07:02,250 --> 00:07:04,530 - Why doesn't he pee on your bed? 58 00:07:04,530 --> 00:07:05,910 Why am I so lucky? 59 00:07:05,910 --> 00:07:07,810 - Must relate to your particular odor. 60 00:07:11,400 --> 00:07:14,040 - I'm not the one with a particular odor, thank you. 61 00:07:14,040 --> 00:07:15,720 You know, I thought when we had him neutered 62 00:07:15,720 --> 00:07:18,330 that he'd give up all this male aggression. 63 00:07:18,330 --> 00:07:19,230 You know, he doesn't have any balls. 64 00:07:19,230 --> 00:07:20,460 He should behave accordingly. 65 00:07:20,460 --> 00:07:21,600 Ew. 66 00:07:21,600 --> 00:07:22,433 - Julian Jons. 67 00:07:25,650 --> 00:07:27,930 - Julian Jons, 68 00:07:27,930 --> 00:07:29,250 that name rings a bell. 69 00:07:29,250 --> 00:07:30,450 Did I have sex with him? 70 00:07:31,860 --> 00:07:35,640 - He's some artist who killed his model in the early '80s. 71 00:07:35,640 --> 00:07:36,473 - No shit. 72 00:07:37,800 --> 00:07:40,230 - Yeah, he was put away in an asylum, 73 00:07:40,230 --> 00:07:43,293 but he's out again and working. 74 00:07:44,550 --> 00:07:46,550 - Well, that's our legal system for you. 75 00:07:47,700 --> 00:07:48,533 - Please, may I? 76 00:07:54,450 --> 00:07:58,983 In his organization of material, 77 00:08:01,748 --> 00:08:04,081 he gives voice and substance 78 00:08:07,860 --> 00:08:10,953 to his deep primal urges. 79 00:08:13,080 --> 00:08:15,139 - Do we have any ammonia? 80 00:08:15,139 --> 00:08:16,472 - Yeah, I guess. 81 00:08:18,921 --> 00:08:22,589 (upbeat electronic music) 82 00:08:22,589 --> 00:08:24,582 - [Man] I'll just have one more, then I'll be done. 83 00:08:24,582 --> 00:08:25,415 - Okay. 84 00:08:30,671 --> 00:08:33,991 - [Woman] It's dark, just a little bit. 85 00:08:33,991 --> 00:08:36,908 (crowd chattering) 86 00:08:43,923 --> 00:08:46,423 - [Woman] Some champagne, yes. 87 00:08:50,215 --> 00:08:53,567 (woman giggling) 88 00:08:53,567 --> 00:08:55,155 - Miss Cole. 89 00:08:55,155 --> 00:08:55,988 - Oh, hello. 90 00:08:55,988 --> 00:08:57,714 - I'm so glad you could make it. 91 00:08:57,714 --> 00:08:58,993 - It's a quick sale. 92 00:08:58,993 --> 00:09:02,217 - Well, thanks to you and your very gracious article. 93 00:09:02,217 --> 00:09:04,650 - Oh, I was just being honest. 94 00:09:04,650 --> 00:09:06,723 - Mr. Rourke shares your opinion. 95 00:09:09,720 --> 00:09:12,000 Samuel, this is Jennifer Cole. 96 00:09:12,000 --> 00:09:12,833 She's the young lady 97 00:09:12,833 --> 00:09:15,300 who helped inform your excellent purchase. 98 00:09:15,300 --> 00:09:16,740 - Miss Cole, a pleasure. 99 00:09:16,740 --> 00:09:17,573 - Thank you. 100 00:09:17,573 --> 00:09:21,149 - [Samuel] I found your review most insightful. 101 00:09:21,149 --> 00:09:21,982 - You did? 102 00:09:21,982 --> 00:09:23,600 - Yes. 103 00:09:23,600 --> 00:09:25,980 - [Jennifer] Is Mr. Jons gonna be here this evening? 104 00:09:25,980 --> 00:09:29,501 - Oh, Julian, no he's a very private person. 105 00:09:29,501 --> 00:09:31,538 He's not really one for crowds. 106 00:09:31,538 --> 00:09:32,970 (glass clinking) 107 00:09:32,970 --> 00:09:35,120 I'd like to get this speech out of the way. 108 00:09:37,154 --> 00:09:40,380 Good evening, ladies and gentlemen, and welcome. 109 00:09:40,380 --> 00:09:42,570 I hope you've all taken a tour of the gallery 110 00:09:42,570 --> 00:09:45,390 and had the opportunity to be dazzled 111 00:09:45,390 --> 00:09:49,743 by the variety of talents bursting upon the art scene today. 112 00:09:50,610 --> 00:09:53,100 We here at the Bennini like to keep an open eye, 113 00:09:53,100 --> 00:09:57,780 an open heart, and an open pocketbook for works 114 00:09:57,780 --> 00:10:00,000 of vision and talent. 115 00:10:00,000 --> 00:10:03,883 We're proud to present Visions of the Millennium. 116 00:10:03,883 --> 00:10:04,716 (crowd clapping) 117 00:10:04,716 --> 00:10:06,540 - Excuse me, you're Jennifer Cole, 118 00:10:06,540 --> 00:10:08,880 the famous art critic for the weekly. 119 00:10:08,880 --> 00:10:09,713 - Yeah. 120 00:10:09,713 --> 00:10:11,910 - Or should I say the famous junior art critic? 121 00:10:11,910 --> 00:10:14,100 John Barnard, the artist whose work you find 122 00:10:14,100 --> 00:10:16,440 so derivative and undistinguished. 123 00:10:16,440 --> 00:10:17,273 - Excuse me. 124 00:10:17,273 --> 00:10:22,020 - No, excuse me for offending your elevated sensibilities 125 00:10:22,020 --> 00:10:24,074 with my, what'd you call it? 126 00:10:24,074 --> 00:10:26,790 My well-orchestrated vacuities. 127 00:10:26,790 --> 00:10:28,320 My talent for the nondescript. 128 00:10:28,320 --> 00:10:30,810 - You didn't have to memorize your review. 129 00:10:30,810 --> 00:10:32,340 I'd have sent you one. 130 00:10:32,340 --> 00:10:34,020 - [John] You think this Julian Jons character 131 00:10:34,020 --> 00:10:35,610 is a real find, do you? 132 00:10:35,610 --> 00:10:38,970 Deviant has-been spilling his fucked up perversions 133 00:10:38,970 --> 00:10:39,803 all over the canvas. 134 00:10:39,803 --> 00:10:41,283 - Mr. Barnard, you know, 135 00:10:42,420 --> 00:10:43,920 it's unfortunate your work isn't as rude 136 00:10:43,920 --> 00:10:44,910 and obnoxious as you are. 137 00:10:44,910 --> 00:10:45,743 At least then you could leave 138 00:10:45,743 --> 00:10:47,490 some kind of an impression on the viewer. 139 00:10:47,490 --> 00:10:50,605 - Oh, I see, you're repressed. 140 00:10:50,605 --> 00:10:51,438 - Huh? 141 00:10:51,438 --> 00:10:52,680 - You know what you need? 142 00:10:52,680 --> 00:10:54,870 A big, thick, stiff one between the legs 143 00:10:54,870 --> 00:10:57,467 to open up your critical faculties. 144 00:10:57,467 --> 00:10:58,300 - Yeah, you're right. - You do. 145 00:10:58,300 --> 00:10:59,234 - I do. 146 00:10:59,234 --> 00:11:02,970 (both speaking in foreign language) 147 00:11:02,970 --> 00:11:05,970 - And especially in these hard fiscal times. 148 00:11:05,970 --> 00:11:08,021 - If you're as impotent as your paintings. 149 00:11:08,021 --> 00:11:08,971 - Oh, that's a good one. 150 00:11:08,971 --> 00:11:13,971 - You're not gonna be much help to me, are you? 151 00:11:14,130 --> 00:11:16,930 - We need to support the emerging artist and (coughing). 152 00:11:20,130 --> 00:11:23,381 Because, excuse me, without our support. 153 00:11:23,381 --> 00:11:25,964 (upbeat music) 154 00:11:28,500 --> 00:11:30,260 Could you pardon me, please? 155 00:11:34,890 --> 00:11:37,983 Julian, what a nice surprise. 156 00:11:39,870 --> 00:11:42,210 I thought we agreed you were going to stay out of sight 157 00:11:42,210 --> 00:11:43,043 for a while. 158 00:11:44,760 --> 00:11:46,350 - You sold the Anna. 159 00:11:46,350 --> 00:11:49,560 - Yes, and congratulations. 160 00:11:49,560 --> 00:11:52,050 The buyer is sponsoring your next show. 161 00:11:52,050 --> 00:11:53,100 I was gonna call you. 162 00:11:55,080 --> 00:11:56,980 - I thought we agreed that you'd wait. 163 00:12:01,761 --> 00:12:03,480 Who's the buyer? 164 00:12:03,480 --> 00:12:05,730 - He's a Mr. Rourke, and he's on the board 165 00:12:05,730 --> 00:12:08,430 of the Chicago Museum of Contemporary Art. 166 00:12:08,430 --> 00:12:10,620 You know what this could mean for us? 167 00:12:10,620 --> 00:12:12,750 Listen, Julian, all you have to do is lay low 168 00:12:12,750 --> 00:12:14,400 and keep working. 169 00:12:14,400 --> 00:12:17,070 We've got a marketing strategy all laid out. 170 00:12:17,070 --> 00:12:18,780 Just don't screw it up. 171 00:12:18,780 --> 00:12:21,313 We wanna capitalize on the sense of mystery. 172 00:12:21,313 --> 00:12:24,196 (Julian chuckles) 173 00:12:24,196 --> 00:12:28,503 (sighs) Julian, you're a great artist. 174 00:12:29,430 --> 00:12:32,100 Your work stands tall on its own, 175 00:12:32,100 --> 00:12:35,070 but you know you've got a certain notoriety too, 176 00:12:35,070 --> 00:12:36,903 and if we can make that work for us. 177 00:12:38,145 --> 00:12:39,863 That's the name of the game, isn't it? 178 00:12:42,090 --> 00:12:43,190 - Yeah, I guess it is. 179 00:12:51,240 --> 00:12:53,090 - Make sure he goes out the back way. 180 00:12:56,495 --> 00:12:58,912 (Leon sighs) 181 00:13:01,410 --> 00:13:04,160 (dramatic music) 182 00:13:26,220 --> 00:13:27,990 - He's been gone since 1985, 183 00:13:27,990 --> 00:13:29,580 and now suddenly he's back 184 00:13:29,580 --> 00:13:32,730 producing radically different work of enormous quality. 185 00:13:32,730 --> 00:13:33,563 Where's he been? 186 00:13:33,563 --> 00:13:34,396 What happened to him? 187 00:13:34,396 --> 00:13:35,440 Where's he going? 188 00:13:35,440 --> 00:13:37,380 I mean, there's a thousand questions about him. 189 00:13:37,380 --> 00:13:39,810 That isn't even a good reproduction. 190 00:13:39,810 --> 00:13:42,240 In person, the colors are just so vibrant. 191 00:13:42,240 --> 00:13:45,510 They really kind of pull you into the canvas. 192 00:13:45,510 --> 00:13:46,500 - I got a good feel from your review 193 00:13:46,500 --> 00:13:48,963 that you were getting sucked into something. 194 00:13:50,340 --> 00:13:52,890 - Anyway, I wanna do an in-depth interview with him. 195 00:13:52,890 --> 00:13:54,440 I think he wants the attention. 196 00:13:55,380 --> 00:13:58,734 - But how do you even know it is Jons? 197 00:13:58,734 --> 00:14:00,173 The style looks very different. 198 00:14:00,173 --> 00:14:01,863 - Because I saw him for a moment. 199 00:14:02,730 --> 00:14:05,040 Oh, come on, it's gonna be a great story, Sherman. 200 00:14:05,040 --> 00:14:07,965 This forgotten young artist back from the grave. 201 00:14:07,965 --> 00:14:12,090 - All right, angel, I guess he's worth checking out. 202 00:14:12,090 --> 00:14:13,413 Just keep me posted. 203 00:14:18,671 --> 00:14:21,146 (footsteps tapping) 204 00:14:21,146 --> 00:14:23,070 - I don't understand why you won't give me his number. 205 00:14:23,070 --> 00:14:25,860 It's the most ridiculous thing I've ever heard. 206 00:14:25,860 --> 00:14:27,240 - It's gallery policy. 207 00:14:27,240 --> 00:14:28,443 - Oh, it is not. 208 00:14:29,970 --> 00:14:31,413 You'd give me the number of any one of these artists 209 00:14:31,413 --> 00:14:32,373 in a second. 210 00:14:33,300 --> 00:14:36,090 - Mr. Jons values his privacy. 211 00:14:36,090 --> 00:14:37,190 - [Jennifer] Bollocks. 212 00:14:38,820 --> 00:14:40,890 - If there's a message you'd like to leave for him. 213 00:14:40,890 --> 00:14:43,053 - There's a feature article for this gallery. 214 00:14:43,053 --> 00:14:44,228 Feature. 215 00:14:44,228 --> 00:14:45,061 - Feature. 216 00:14:50,233 --> 00:14:51,185 - Will he get this? 217 00:14:51,185 --> 00:14:52,185 - Of course. 218 00:14:58,092 --> 00:15:01,759 (dramatic orchestral music) 219 00:15:28,746 --> 00:15:33,246 (dramatic orchestral music continues) 220 00:16:01,363 --> 00:16:02,913 - Nice work, Julian. 221 00:16:06,119 --> 00:16:08,283 - Never should've given you a key to the studio. 222 00:16:08,283 --> 00:16:10,500 - I've brought someone I'd like you to meet. 223 00:16:10,500 --> 00:16:13,593 Julian Jons, your benefactor, Samuel Rourke. 224 00:16:14,910 --> 00:16:15,960 - Pleasure, Mr. Jons. 225 00:16:18,151 --> 00:16:19,443 I see, a little dirty. 226 00:16:22,470 --> 00:16:23,720 Well, that's magnificent. 227 00:16:24,780 --> 00:16:26,043 Is that Anna 15? 228 00:16:27,057 --> 00:16:29,520 - 15, 16, I don't count 'em. 229 00:16:29,520 --> 00:16:30,540 - Exciting news, Julian. 230 00:16:30,540 --> 00:16:33,480 Mr. Rourke has a proposition for you. 231 00:16:33,480 --> 00:16:34,920 - Really? 232 00:16:34,920 --> 00:16:38,220 - Yes, I'd like to have a portrait done of a lady friend. 233 00:16:38,220 --> 00:16:40,772 - A portrait, well, you wanna call a photographer. 234 00:16:40,772 --> 00:16:43,440 (Samuel laughing) 235 00:16:43,440 --> 00:16:44,790 - That's really good, Julian. 236 00:16:44,790 --> 00:16:46,683 You're a funny man, isn't he Bennini? 237 00:16:47,910 --> 00:16:50,490 - I only paint what I choose to paint. 238 00:16:50,490 --> 00:16:51,900 - Don't misunderstand, Julian. 239 00:16:51,900 --> 00:16:54,723 Mr. Rourke doesn't expect you to change your style. 240 00:16:55,860 --> 00:16:57,093 - No, not at all. 241 00:16:58,050 --> 00:17:01,053 I just want you to use her for inspiration, 242 00:17:02,070 --> 00:17:03,990 and I'm sure she will inspire you. 243 00:17:03,990 --> 00:17:06,430 - I don't use models, you know that. 244 00:17:06,430 --> 00:17:07,263 - But it's commission, Julian. 245 00:17:07,263 --> 00:17:08,733 - I don't do commissions. 246 00:17:10,110 --> 00:17:13,080 - I can assure you, Mr. Jons, the terms will be fair. 247 00:17:13,080 --> 00:17:13,920 - I don't care! 248 00:17:13,920 --> 00:17:15,450 I don't care about the terms! 249 00:17:15,450 --> 00:17:16,410 I don't use models. 250 00:17:16,410 --> 00:17:17,760 I don't need models. 251 00:17:17,760 --> 00:17:19,210 I have all the images I need. 252 00:17:24,270 --> 00:17:25,470 - He'll come around. 253 00:17:25,470 --> 00:17:26,850 I'll talk to him. 254 00:17:26,850 --> 00:17:28,170 - He's an artist. 255 00:17:28,170 --> 00:17:29,913 One has to make allowances, right? 256 00:17:31,361 --> 00:17:35,028 (dramatic orchestral music) 257 00:17:40,800 --> 00:17:43,110 - The Annas are fine, Julian. 258 00:17:43,110 --> 00:17:44,433 I mean, they're wonderful. 259 00:17:45,267 --> 00:17:48,450 You just can't go on painting the same thing forever. 260 00:17:48,450 --> 00:17:49,863 You have to move on. 261 00:17:51,540 --> 00:17:53,400 So you paint this girl. 262 00:17:53,400 --> 00:17:55,260 Do whatever you want. 263 00:17:55,260 --> 00:17:58,230 Give her four eyes, three tits, and a nose in her navel. 264 00:17:58,230 --> 00:17:59,613 I mean, who cares? 265 00:18:05,158 --> 00:18:10,158 - I'm afraid. 266 00:18:16,800 --> 00:18:17,853 - Afraid of what? 267 00:18:20,664 --> 00:18:22,290 (Leon sighs) 268 00:18:22,290 --> 00:18:26,237 Seven years ago, you were a different man. 269 00:18:27,408 --> 00:18:28,984 (bell clangs) 270 00:18:28,984 --> 00:18:30,388 (both laughing) 271 00:18:30,388 --> 00:18:31,800 - That's very good, Bennini, I like that. 272 00:18:31,800 --> 00:18:35,580 - Julian, Mr. Rourke has someone he'd like you to meet. 273 00:18:35,580 --> 00:18:36,413 - Hello, Julian, 274 00:18:37,530 --> 00:18:40,350 may I introduce you to Kristi Anderson? 275 00:18:40,350 --> 00:18:42,830 - Mr. Jons, I really love your work. 276 00:18:42,830 --> 00:18:43,663 - Hello. 277 00:18:46,027 --> 00:18:47,184 - Don't stare at him, baby, 278 00:18:47,184 --> 00:18:49,530 like he's one of his paintings. 279 00:18:49,530 --> 00:18:51,330 She has beautiful eyes, doesn't she? 280 00:18:52,860 --> 00:18:53,693 Bewitching. 281 00:18:55,955 --> 00:18:59,622 (dramatic orchestral music) 282 00:19:04,170 --> 00:19:06,060 - [Jennifer] He has to come out sooner or later. 283 00:19:06,060 --> 00:19:07,560 - How do you know? 284 00:19:08,437 --> 00:19:10,730 You know, I really don't see the attraction 285 00:19:10,730 --> 00:19:11,940 of all this for you. 286 00:19:11,940 --> 00:19:14,280 - I can work this into a major article. 287 00:19:14,280 --> 00:19:16,589 I mean, I could get national exposure. 288 00:19:16,589 --> 00:19:17,490 (Carrie snoring) 289 00:19:17,490 --> 00:19:19,173 Don't start, it's my job. 290 00:19:21,060 --> 00:19:24,870 - It's your job to sit here on stakeout all day 291 00:19:24,870 --> 00:19:26,703 waiting for some homicidal nutcase? 292 00:19:27,720 --> 00:19:30,120 You know, if you're trying to get laid, 293 00:19:30,120 --> 00:19:32,100 I can think of an easier way to do it. 294 00:19:32,100 --> 00:19:33,810 - It's not just the fact that he's painting again. 295 00:19:33,810 --> 00:19:35,730 It's the fact that he's painting her, 296 00:19:35,730 --> 00:19:37,410 the woman he destroyed. 297 00:19:37,410 --> 00:19:41,010 I mean, that's, that's just such a classic image. 298 00:19:41,010 --> 00:19:46,010 The tortured romantic haunted by his dreams, nightmares. 299 00:19:47,670 --> 00:19:48,503 I don't know. 300 00:19:48,503 --> 00:19:52,137 - Some guy carves up his girlfriend a few years ago. 301 00:19:52,137 --> 00:19:54,420 Now he's working it out in visual therapy. 302 00:19:54,420 --> 00:19:55,710 That's his problem. 303 00:19:55,710 --> 00:19:58,207 What does that have to do. - Shh. 304 00:19:58,207 --> 00:20:01,874 (dramatic orchestral music) 305 00:20:04,237 --> 00:20:06,967 (car door clicks) 306 00:20:06,967 --> 00:20:08,634 Okay, you stay here. 307 00:20:13,755 --> 00:20:17,338 (ominous orchestral music) 308 00:20:43,485 --> 00:20:47,902 (ominous orchestral music continues) 309 00:20:57,002 --> 00:20:58,049 - What are you doin' here, huh? 310 00:20:58,049 --> 00:20:58,882 - Nothing. 311 00:20:58,882 --> 00:20:59,824 - [Julian] What do you want? - Nothing. 312 00:20:59,824 --> 00:21:00,940 - You're lying. 313 00:21:00,940 --> 00:21:02,722 You're following me, why? 314 00:21:02,722 --> 00:21:04,994 Who sent you? - I'm not, nobody. 315 00:21:04,994 --> 00:21:06,720 I'm an art critic. 316 00:21:06,720 --> 00:21:07,560 My name's Jennifer Cole, 317 00:21:07,560 --> 00:21:09,180 I'm with Arts Weekly. 318 00:21:09,180 --> 00:21:10,080 - So what is it? 319 00:21:10,080 --> 00:21:11,520 - I wanna talk to you. - About what? 320 00:21:11,520 --> 00:21:12,453 - About your work. 321 00:21:13,440 --> 00:21:14,460 - My work speaks for itself. 322 00:21:14,460 --> 00:21:15,840 - We wanna do an interview with you 323 00:21:15,840 --> 00:21:17,590 to go with the opening of the show. 324 00:21:19,899 --> 00:21:20,850 (Julian chuckles) 325 00:21:20,850 --> 00:21:25,080 - So I'm good copy now, is that it? 326 00:21:25,080 --> 00:21:26,430 The world wants to know. 327 00:21:26,430 --> 00:21:28,730 - Yeah, I wanna know. - You wanna know. 328 00:21:31,996 --> 00:21:35,579 (ominous orchestral music) 329 00:21:38,250 --> 00:21:39,123 I like your eyes. 330 00:21:42,060 --> 00:21:43,360 - What were her eyes like? 331 00:21:45,330 --> 00:21:46,280 - End of interview. 332 00:21:49,466 --> 00:21:53,049 (ominous orchestral music) 333 00:21:57,423 --> 00:21:59,923 (radio music) 334 00:22:01,844 --> 00:22:03,960 (Carrie gasping) (car door thuds) 335 00:22:03,960 --> 00:22:06,183 - Jennifer, you scared the shit out of me. 336 00:22:08,010 --> 00:22:09,270 Well, what happened? 337 00:22:09,270 --> 00:22:10,892 Did you talk to him? 338 00:22:10,892 --> 00:22:11,725 (ominous orchestral music) 339 00:22:11,725 --> 00:22:13,960 - Just drive, okay? 340 00:22:13,960 --> 00:22:15,298 - What am I, your slave? 341 00:22:15,298 --> 00:22:18,465 (car engine sputters) 342 00:22:19,609 --> 00:22:23,192 (ominous orchestral music) 343 00:22:31,765 --> 00:22:34,432 (bell clanging) 344 00:22:42,518 --> 00:22:43,351 - Well? 345 00:22:44,428 --> 00:22:45,595 - Turn around. 346 00:22:47,094 --> 00:22:50,511 - What, are you lookin' for my best side? 347 00:22:53,148 --> 00:22:54,437 - No, that's not it. 348 00:22:54,437 --> 00:22:55,270 Get up. 349 00:22:57,650 --> 00:22:59,150 Here, have a seat. 350 00:23:05,384 --> 00:23:06,384 Get up here. 351 00:23:22,114 --> 00:23:25,114 (footsteps tapping) 352 00:23:33,721 --> 00:23:37,430 (Carrie clearing throat) 353 00:23:37,430 --> 00:23:39,146 - Come on, I thought we were having lunch. 354 00:23:39,146 --> 00:23:40,896 - Uh, listen to this. 355 00:23:41,953 --> 00:23:45,960 Um, the victim's eyes were gouged out with a pallet knife 356 00:23:45,960 --> 00:23:47,850 after strangling her to death. 357 00:23:47,850 --> 00:23:49,380 In an especially grizzly touch, 358 00:23:49,380 --> 00:23:51,270 the blood was then applied to the canvas 359 00:23:51,270 --> 00:23:53,940 of a painting whose subject was Miss Richardson herself. 360 00:23:53,940 --> 00:23:54,773 - Jennifer. 361 00:23:54,773 --> 00:23:57,210 - Miss Richardson's involvement with another artist, 362 00:23:57,210 --> 00:23:59,790 Paul Jackson, is said to have triggered the incident. 363 00:23:59,790 --> 00:24:01,590 The defendant, a hot, young artist 364 00:24:01,590 --> 00:24:03,210 who exploded on the New York art scene, 365 00:24:03,210 --> 00:24:05,040 is being held in custody without bail. 366 00:24:05,040 --> 00:24:09,210 He is scheduled to undergo psychiatric examinations today. 367 00:24:09,210 --> 00:24:10,043 - Wow. 368 00:24:11,718 --> 00:24:13,067 - [Jennifer] Hold on one second. 369 00:24:13,067 --> 00:24:18,067 Wait here. 370 00:24:19,649 --> 00:24:20,972 - [Carrie] We said Thai, remember? 371 00:24:20,972 --> 00:24:22,222 - Yeah, I know. 372 00:24:33,023 --> 00:24:34,781 Okay, let's go. 373 00:24:34,781 --> 00:24:35,614 - [Carrie] Oh, you're ready now? 374 00:24:35,614 --> 00:24:36,522 - Mm-hm. 375 00:24:36,522 --> 00:24:37,355 Yeah. 376 00:24:37,355 --> 00:24:38,250 - [Carrie] Is that my shirt? 377 00:24:38,250 --> 00:24:39,570 - No, not anymore. 378 00:24:39,570 --> 00:24:43,380 So how did you get in contact with Mr. Jons? 379 00:24:43,380 --> 00:24:45,270 Do you know him from New York? 380 00:24:45,270 --> 00:24:49,170 - No, I'd read about him in the papers of course. 381 00:24:49,170 --> 00:24:51,030 It's a tragic thing. 382 00:24:51,030 --> 00:24:52,353 It haunts him still. 383 00:24:53,340 --> 00:24:55,260 He loved her terribly. 384 00:24:55,260 --> 00:24:56,093 - Terribly. 385 00:24:58,170 --> 00:25:01,200 - But no, it was just a lucky circumstance. 386 00:25:01,200 --> 00:25:03,840 I was down at the annual art fair 387 00:25:03,840 --> 00:25:07,173 this winter in San Francisco, and there it was. 388 00:25:08,550 --> 00:25:13,233 Anna 14, shining like a jewel in a dung heap. 389 00:25:15,000 --> 00:25:16,560 Then, as everyone should know, 390 00:25:16,560 --> 00:25:19,503 I brought him to town and set him up in a studio. 391 00:25:20,906 --> 00:25:23,400 - Where is that, the studio? 392 00:25:23,400 --> 00:25:28,400 - Miss Cole, Julian is an intensely private man. 393 00:25:28,440 --> 00:25:31,350 He's scarred and he's fragile. 394 00:25:31,350 --> 00:25:33,600 He needs to feel secure. 395 00:25:33,600 --> 00:25:35,460 I can't breach that security no matter 396 00:25:35,460 --> 00:25:39,660 how valuable the resulting publicity might be. 397 00:25:39,660 --> 00:25:40,493 You understand. 398 00:25:44,032 --> 00:25:45,630 Oh, hello. 399 00:25:45,630 --> 00:25:48,116 Miss Cole, this is my niece, Naomi. 400 00:25:48,116 --> 00:25:49,110 (lips smack) 401 00:25:49,110 --> 00:25:53,403 - Your niece, hello. (chuckles) 402 00:25:55,650 --> 00:25:56,550 - If you'll pardon me a moment, 403 00:25:56,550 --> 00:25:58,950 my day seems to be filling up. 404 00:26:06,784 --> 00:26:10,367 (ominous orchestral music) 405 00:26:32,967 --> 00:26:35,343 - [John] Aw, you didn't have to steal it. 406 00:26:36,210 --> 00:26:38,590 You could've just asked me for my number. 407 00:26:40,504 --> 00:26:41,997 - Do you live here? 408 00:26:41,997 --> 00:26:43,260 - I'm here to pick up a check. 409 00:26:43,260 --> 00:26:45,810 You'll be happy to know my undistinguished painting 410 00:26:45,810 --> 00:26:48,330 sold at a very distinguished price. 411 00:26:48,330 --> 00:26:49,163 - It's a miracle. 412 00:26:49,163 --> 00:26:52,050 - Yeah, well some people still recognize quality. 413 00:26:52,050 --> 00:26:53,770 I recognize quality. 414 00:27:05,939 --> 00:27:08,606 (siren blaring) 415 00:27:23,872 --> 00:27:27,705 (mysterious orchestral music) 416 00:27:31,284 --> 00:27:34,117 (engine whirring) 417 00:27:53,474 --> 00:27:58,141 (mysterious orchestral music continues) 418 00:28:03,776 --> 00:28:08,336 (engine whirring) (metal clanging) 419 00:28:08,336 --> 00:28:09,726 (knuckles rapping) 420 00:28:09,726 --> 00:28:10,643 - Mr. Jons? 421 00:28:12,586 --> 00:28:17,253 (mysterious orchestral music continues) 422 00:28:34,569 --> 00:28:35,880 - Let's get started. 423 00:28:35,880 --> 00:28:36,880 Who are you? 424 00:28:39,647 --> 00:28:42,230 Oh, great, it's the little spy. 425 00:28:44,476 --> 00:28:47,257 - Yeah, well, we didn't finish our conversation. 426 00:28:47,257 --> 00:28:48,480 - [Julian] I'm afraid you can't stay. 427 00:28:48,480 --> 00:28:50,412 - Oh, what are you? 428 00:28:50,412 --> 00:28:51,245 Ow. 429 00:28:52,586 --> 00:28:53,986 You have a very strong grip. 430 00:28:56,160 --> 00:28:58,968 - Comes with wrestling with the muses I guess. 431 00:28:58,968 --> 00:29:02,346 (Julian chuckles) 432 00:29:02,346 --> 00:29:04,929 (Julian sighs) 433 00:29:06,570 --> 00:29:08,100 How'd you find me? 434 00:29:08,100 --> 00:29:09,393 - I'm very resourceful. 435 00:29:14,010 --> 00:29:15,000 - [Julian] What do you want? 436 00:29:15,000 --> 00:29:16,773 - Oh, uh, right. 437 00:29:18,090 --> 00:29:18,923 Your work. 438 00:29:22,380 --> 00:29:23,530 - [Julian] Spit it out. 439 00:29:25,770 --> 00:29:30,120 - Okay, years ago, you know, in New York, 440 00:29:30,120 --> 00:29:35,120 your work was very rational and controlled, very. 441 00:29:35,550 --> 00:29:38,973 And now there's a sense that it's. 442 00:29:39,951 --> 00:29:41,160 (chuckles) Sorry. 443 00:29:41,160 --> 00:29:42,693 It's a very powerful sense of, 444 00:29:45,090 --> 00:29:48,060 well, violence and brutality. 445 00:29:48,060 --> 00:29:51,450 - Please, spare me the psychobabble, okay? 446 00:29:51,450 --> 00:29:53,400 I've had enough of it for one lifetime. 447 00:29:55,234 --> 00:30:00,234 - I'd like you to explain in your words the connection. 448 00:30:02,340 --> 00:30:03,173 I mean, you know, as a critic. 449 00:30:03,173 --> 00:30:05,370 - As a critic, you shouldn't even speculate. 450 00:30:11,130 --> 00:30:12,330 Stick with what you see. 451 00:30:13,434 --> 00:30:17,101 (dramatic orchestral music) 452 00:30:24,743 --> 00:30:26,462 (Julian sighs) 453 00:30:26,462 --> 00:30:28,212 This is what I paint. 454 00:30:32,791 --> 00:30:33,708 That's all. 455 00:30:40,644 --> 00:30:44,477 Like being in the seventh circle of hell, huh? 456 00:30:53,242 --> 00:30:54,992 - It's her, isn't it? 457 00:30:56,622 --> 00:30:57,455 Anna. 458 00:30:58,518 --> 00:31:00,366 - The woman I loved, yeah. 459 00:31:00,366 --> 00:31:01,199 - Julian? 460 00:31:03,871 --> 00:31:07,204 - You can just go ahead and get changed. 461 00:31:11,338 --> 00:31:12,468 Oh, I have to go. 462 00:31:12,468 --> 00:31:17,468 I'm being paid. (chuckles) 463 00:31:17,780 --> 00:31:22,233 - Do you think it would be possible to talk later, you know? 464 00:31:26,670 --> 00:31:29,793 - Um, do you know the expression curiosity killed the cat? 465 00:31:30,870 --> 00:31:31,703 - Mm-hm. 466 00:31:34,410 --> 00:31:37,050 - What did you do to your eyes? 467 00:31:42,160 --> 00:31:42,993 - Oh, I. 468 00:31:46,020 --> 00:31:47,010 Well, you know I thought 469 00:31:47,010 --> 00:31:49,128 maybe it would make them look more interesting. 470 00:31:49,128 --> 00:31:51,326 (Julian chuckles) 471 00:31:51,326 --> 00:31:52,453 - Interesting? 472 00:31:52,453 --> 00:31:54,481 (Jennifer chuckles) 473 00:31:54,481 --> 00:31:55,314 It's frightening. 474 00:31:55,314 --> 00:31:58,314 (Jennifer chuckles) 475 00:32:02,444 --> 00:32:03,361 Hold still. 476 00:32:05,341 --> 00:32:06,680 - Too much, huh? 477 00:32:06,680 --> 00:32:08,013 - Just a little. 478 00:32:10,455 --> 00:32:14,122 (dramatic orchestral music) 479 00:32:32,146 --> 00:32:33,146 Later, yeah? 480 00:32:38,822 --> 00:32:39,655 - Mm. 481 00:32:54,462 --> 00:32:58,045 (ominous orchestral music) 482 00:33:26,712 --> 00:33:29,770 (upbeat music) (crowd chattering) 483 00:33:29,770 --> 00:33:31,687 - Scotch rocks, please. 484 00:33:47,654 --> 00:33:49,669 - There you go. 485 00:33:49,669 --> 00:33:52,586 (crowd chattering) 486 00:34:14,452 --> 00:34:16,508 - I don't know what to say. 487 00:34:16,508 --> 00:34:18,120 (Julian chuckles) 488 00:34:18,120 --> 00:34:20,870 - I'm sure you got plenty of questions in your notepad. 489 00:34:25,126 --> 00:34:26,940 - Why'd you kiss me? 490 00:34:26,940 --> 00:34:27,990 - That's an easy one. 491 00:34:29,700 --> 00:34:31,290 Your lips were directly in my path, 492 00:34:31,290 --> 00:34:33,903 and you painted your eyes to attract me, so. 493 00:34:36,240 --> 00:34:37,500 - This is not the most professional way 494 00:34:37,500 --> 00:34:38,700 to conduct an interview. 495 00:34:40,690 --> 00:34:42,540 - Why don't we just forget the interview? 496 00:34:42,540 --> 00:34:44,290 - We should forget the whole thing. 497 00:34:46,680 --> 00:34:48,467 I wish you would stop doing that. 498 00:34:49,933 --> 00:34:53,280 - Miss Cole, I kissed you because I was supposed to. 499 00:34:53,280 --> 00:34:55,020 Did you find the experience so unpleasant? 500 00:34:55,020 --> 00:34:58,833 - Well, I'm so glad you two could finally get together. 501 00:34:59,880 --> 00:35:01,290 Perhaps we can hope 502 00:35:01,290 --> 00:35:03,993 for another favorable article, Miss Cole. 503 00:35:06,330 --> 00:35:07,353 - Hi, Julian. 504 00:35:09,450 --> 00:35:11,013 Fine, thanks, how are you? 505 00:35:12,030 --> 00:35:14,310 Keeping fast company, I see. 506 00:35:14,310 --> 00:35:16,923 Hi, Jen, how's life among the frigid? 507 00:35:18,090 --> 00:35:19,710 Great, great. 508 00:35:19,710 --> 00:35:22,440 Listen, you watch out for her, old man. 509 00:35:22,440 --> 00:35:25,623 She's beautiful, but she's got a stinger in that tail. 510 00:35:27,000 --> 00:35:30,330 Just don't try doggy style, you know what I mean? 511 00:35:30,330 --> 00:35:32,163 Come on, Leo, I'll get us a table. 512 00:35:37,620 --> 00:35:39,960 - Guess you can't always trust your instincts, huh? 513 00:35:39,960 --> 00:35:41,910 - Well, yes, Barnard is charming, 514 00:35:41,910 --> 00:35:45,420 but there's a buyer for every painting, Miss Cole. 515 00:35:45,420 --> 00:35:46,709 You two have a nice evening. 516 00:35:46,709 --> 00:35:51,709 - [Jennifer] You too. 517 00:35:59,273 --> 00:36:00,917 Are you okay? 518 00:36:00,917 --> 00:36:04,800 - Yeah, it just keeps me calm. 519 00:36:08,130 --> 00:36:08,963 - Good. 520 00:36:29,932 --> 00:36:30,765 - Nice place. 521 00:36:30,765 --> 00:36:33,030 - Yeah, belongs to my dad. 522 00:36:33,030 --> 00:36:33,990 He's living in Europe now, 523 00:36:33,990 --> 00:36:36,303 so it's just me and my roommate Carrie here. 524 00:36:40,290 --> 00:36:45,290 Um, do you want a drink, some tea or something? 525 00:37:01,830 --> 00:37:02,663 Don't look at those. 526 00:37:02,663 --> 00:37:03,496 - I'm no critic. 527 00:37:04,890 --> 00:37:08,523 - I just, uh, I do them to relax. 528 00:37:12,570 --> 00:37:14,475 - You relax too much. 529 00:37:14,475 --> 00:37:18,090 (Jennifer chuckles) 530 00:37:18,090 --> 00:37:22,310 - You know, I used to paint rationally. 531 00:37:25,950 --> 00:37:27,817 Very controlled, as you say. 532 00:37:29,604 --> 00:37:33,604 But now I just paint with brutality and violence 533 00:37:35,064 --> 00:37:37,731 like I'm in some fuckin' frenzy. 534 00:37:40,164 --> 00:37:42,581 (door thuds) 535 00:37:45,240 --> 00:37:48,240 (crickets chirping) 536 00:37:59,256 --> 00:38:02,673 (light orchestral music) 537 00:38:29,233 --> 00:38:33,483 (light orchestral music continues) 538 00:38:59,579 --> 00:39:03,829 (light orchestral music continues) 539 00:39:22,396 --> 00:39:25,896 (Jennifer moaning softly) 540 00:39:30,042 --> 00:39:34,292 (light orchestral music continues) 541 00:40:00,768 --> 00:40:05,018 (light orchestral music continues) 542 00:40:22,232 --> 00:40:23,317 (birds chirping) 543 00:40:23,317 --> 00:40:26,580 - That crazy artist, I cannot believe it. 544 00:40:26,580 --> 00:40:27,453 - Believe it. 545 00:40:28,350 --> 00:40:29,673 - Jack the fucking Ripper. 546 00:40:31,020 --> 00:40:33,090 This is not a joke, Jenny, he's a dangerous man. 547 00:40:33,090 --> 00:40:34,410 Do you know how many unsolved murders 548 00:40:34,410 --> 00:40:35,430 there are in this town? 549 00:40:35,430 --> 00:40:37,410 - What about the jerk you were out with last night? 550 00:40:37,410 --> 00:40:39,600 He could be a serial killer, you don't know. 551 00:40:39,600 --> 00:40:41,250 - But you do know, that is the point. 552 00:40:41,250 --> 00:40:42,810 You know what you're getting into bed with. 553 00:40:42,810 --> 00:40:44,730 - Christ, Carrie, please. 554 00:40:44,730 --> 00:40:47,130 I mean, that was a long time ago. 555 00:40:47,130 --> 00:40:49,470 Just lay off, will you? 556 00:40:49,470 --> 00:40:50,640 - You know what, you're right. 557 00:40:50,640 --> 00:40:51,540 I'm sure you're gonna be safe. 558 00:40:51,540 --> 00:40:53,940 I'm sure it's probably out of his system by now. 559 00:40:59,835 --> 00:41:02,418 (Carrie sighs) 560 00:41:11,820 --> 00:41:14,303 I'm sorry, but this does not look anything like him. 561 00:41:15,510 --> 00:41:16,890 - You saw him? 562 00:41:16,890 --> 00:41:19,860 - Of course, I saw you from the window, tramp. 563 00:41:19,860 --> 00:41:21,207 - Pervert. 564 00:41:21,207 --> 00:41:24,040 (Carrie chuckles) 565 00:41:28,215 --> 00:41:33,215 (birds chirping) (car engine revving) 566 00:41:39,036 --> 00:41:40,286 - Okay? - Yeah. 567 00:41:41,700 --> 00:41:43,653 - So why do I collect art, Jennifer? 568 00:41:45,690 --> 00:41:47,820 Well, I've been acquiring things all my life, 569 00:41:47,820 --> 00:41:51,390 companies, buildings, people. 570 00:41:51,390 --> 00:41:53,070 I spent my whole life making money. 571 00:41:53,070 --> 00:41:53,903 - Yeah. 572 00:41:56,070 --> 00:41:57,820 - Now it doesn't seem to be enough. 573 00:41:59,640 --> 00:42:00,640 Something's missing. 574 00:42:01,980 --> 00:42:06,270 - So art serves as a compensation for that. 575 00:42:06,270 --> 00:42:08,013 - Well, I sympathize with artists. 576 00:42:09,990 --> 00:42:12,510 We're on the same wavelength, you know? 577 00:42:12,510 --> 00:42:16,590 Create, build, acquire, it's an expression of power, 578 00:42:16,590 --> 00:42:17,423 you see? 579 00:42:17,423 --> 00:42:19,050 - Mm-hmm. 580 00:42:19,050 --> 00:42:21,200 Why the particular interest in Julian Jons? 581 00:42:22,080 --> 00:42:22,913 - Why not? 582 00:42:23,820 --> 00:42:25,083 He's very much like me, 583 00:42:26,550 --> 00:42:30,243 single-minded, obsessed, haunted. 584 00:42:32,610 --> 00:42:34,470 You could say I've been waiting for Julian Jons 585 00:42:34,470 --> 00:42:35,303 to come along. 586 00:42:37,290 --> 00:42:40,503 What is your particular interest in Mr. Jons if I may ask? 587 00:42:42,390 --> 00:42:45,420 - I think he's a very talented individual. 588 00:42:45,420 --> 00:42:47,583 - Yes, he certainly is. 589 00:42:50,408 --> 00:42:52,991 (gentle music) 590 00:43:07,365 --> 00:43:12,127 ♪ I sit alone in front of all I'll ever known ♪ 591 00:43:12,127 --> 00:43:15,667 ♪ Painting days and painting time ♪ 592 00:43:15,667 --> 00:43:18,607 ♪ Hangs near this funny rhyme ♪ 593 00:43:18,607 --> 00:43:23,607 ♪ By the window waits for wind to blow ♪ 594 00:43:24,357 --> 00:43:29,228 ♪ The world's a theater, a place I play ♪ 595 00:43:29,228 --> 00:43:33,008 ♪ Words are heard and never read ♪ 596 00:43:33,008 --> 00:43:35,896 ♪ I'm trying to rip them from my head ♪ 597 00:43:35,896 --> 00:43:40,741 ♪ And endlessly I'm watching my parade ♪ 598 00:43:40,741 --> 00:43:43,528 ♪ My hat hangs near the crosstown train ♪ 599 00:43:43,528 --> 00:43:48,175 ♪ The crosstown park and mindless rain ♪ 600 00:43:48,175 --> 00:43:53,175 ♪ Way down Strawberry Lane ♪ 601 00:43:53,356 --> 00:43:58,356 ♪ Way down Strawberry Lane ♪ 602 00:43:59,320 --> 00:44:04,320 ♪ Way down Strawberry Lane ♪ 603 00:44:04,975 --> 00:44:08,558 ♪ Way down Strawberry Lane ♪ 604 00:44:11,009 --> 00:44:13,676 (phone ringing) 605 00:44:17,437 --> 00:44:20,610 - Oh, how's that dynamite article coming? 606 00:44:20,610 --> 00:44:21,443 - It's coming. 607 00:44:23,100 --> 00:44:26,013 Yeah, I'm thinking about it right now. 608 00:44:32,630 --> 00:44:35,630 (Jennifer chuckles) 609 00:44:46,686 --> 00:44:50,519 (mysterious orchestral music) 610 00:44:55,799 --> 00:44:58,882 (car engine revving) 611 00:45:09,509 --> 00:45:12,226 (car door thuds) 612 00:45:12,226 --> 00:45:16,059 (mysterious orchestral music) 613 00:45:33,544 --> 00:45:34,377 Julian? 614 00:45:46,009 --> 00:45:51,009 Julian? 615 00:46:08,783 --> 00:46:12,600 Is Julian here? 616 00:46:12,600 --> 00:46:13,910 - You mean J? 617 00:46:20,550 --> 00:46:25,550 I wanted to apologize for my, my jerky behavior. 618 00:46:26,970 --> 00:46:28,923 I've been a jerk, haven't I? 619 00:46:29,800 --> 00:46:30,960 - I'm sure you can't help it. 620 00:46:30,960 --> 00:46:33,720 - Listen, I'm sorry for tricking you into coming here, 621 00:46:33,720 --> 00:46:35,373 but I had a very good reason. 622 00:46:36,600 --> 00:46:37,683 - I expect you did. 623 00:46:39,540 --> 00:46:40,373 - First. 624 00:46:44,970 --> 00:46:45,803 My phone number. 625 00:46:51,999 --> 00:46:53,430 (John chuckles) 626 00:46:53,430 --> 00:46:55,480 Now you can call me whenever you want to. 627 00:46:57,600 --> 00:47:01,143 And second, I'm interested in painting you. 628 00:47:02,910 --> 00:47:04,410 - Are you? 629 00:47:04,410 --> 00:47:06,843 - Yes, I am. 630 00:47:08,070 --> 00:47:09,810 I think you have the kind of body 631 00:47:09,810 --> 00:47:12,453 that would lend itself well to a nude study. 632 00:47:14,910 --> 00:47:16,803 I'm an artist too, you know. 633 00:47:19,590 --> 00:47:24,183 If I had painted Anna, a beautiful and sensuous woman, 634 00:47:25,980 --> 00:47:27,903 that's exactly what she would've been. 635 00:47:29,580 --> 00:47:32,700 Beautiful and sensuous. 636 00:47:32,700 --> 00:47:36,663 Not a bunch of limbs and a torso. 637 00:47:38,099 --> 00:47:42,093 Oh, God, what is the attraction here, huh? 638 00:47:42,093 --> 00:47:43,203 What is it? 639 00:47:44,662 --> 00:47:45,630 I mean, let's face it. 640 00:47:45,630 --> 00:47:49,410 We're dealing with a paranoid schizophrenic here. 641 00:47:49,410 --> 00:47:51,660 The man's a pro. 642 00:47:51,660 --> 00:47:56,010 He starts his career off as a disciple of Matisse, 643 00:47:56,010 --> 00:48:00,600 and then seven years and a fuckin' murder later, 644 00:48:00,600 --> 00:48:01,850 he's, what, Edvard Munch. 645 00:48:02,910 --> 00:48:05,433 I mean, look at how he signs his name. 646 00:48:07,560 --> 00:48:08,913 - He uses his left hand. 647 00:48:09,840 --> 00:48:11,130 I think he's superstitious. 648 00:48:11,130 --> 00:48:12,363 - That's just the point. 649 00:48:13,560 --> 00:48:16,440 He never used to sign his paintings at all. 650 00:48:16,440 --> 00:48:18,093 And what about that left hand? 651 00:48:19,830 --> 00:48:21,090 - What about it? 652 00:48:21,090 --> 00:48:23,160 - Well, surely you're aware, Miss Cole, 653 00:48:23,160 --> 00:48:26,193 that Julian Jons was a lefthanded painter. 654 00:48:28,230 --> 00:48:31,593 And we know that this was executed by a right hand. 655 00:48:33,870 --> 00:48:35,673 Or was that superstition too? 656 00:48:39,330 --> 00:48:41,790 - What exactly is your point? 657 00:48:41,790 --> 00:48:42,663 - Figure it out. 658 00:48:43,950 --> 00:48:46,290 I was there, too, you know. 659 00:48:46,290 --> 00:48:48,003 I knew Anna Richardson. 660 00:48:48,990 --> 00:48:49,943 - [Jennifer] Did you? 661 00:48:51,106 --> 00:48:52,563 - I was young and naive then. 662 00:48:53,910 --> 00:48:55,413 I've matured since then. 663 00:48:56,280 --> 00:48:57,280 - What was she like? 664 00:48:58,560 --> 00:48:59,910 - What are you like? 665 00:48:59,910 --> 00:49:02,247 What is Jennifer Cole like? 666 00:49:02,247 --> 00:49:04,320 Are you adventurous? 667 00:49:04,320 --> 00:49:07,143 You ever make love on a waxed hardwood floor? 668 00:49:08,670 --> 00:49:11,497 Get up enough speed, pretty soon you're hydroplaning. 669 00:49:16,080 --> 00:49:19,680 It's a bad idea, you know, you and Julian. 670 00:49:19,680 --> 00:49:22,143 A critic should never fall for an artist. 671 00:49:23,520 --> 00:49:25,353 Conflict of interest, babe. 672 00:49:26,527 --> 00:49:29,194 (bell clanging) 673 00:49:37,950 --> 00:49:39,750 - What was it like in the hospitals? 674 00:49:43,050 --> 00:49:44,150 - You mean the asylum. 675 00:49:45,240 --> 00:49:48,570 That's what it was, an asylum. 676 00:49:48,570 --> 00:49:50,070 Here, will you hold this down? 677 00:50:01,650 --> 00:50:04,023 It was a retreat from the world basically. 678 00:50:07,020 --> 00:50:08,883 There's no time, there's no life. 679 00:50:10,260 --> 00:50:12,000 - Did you paint while you were in there? 680 00:50:12,000 --> 00:50:13,656 - What, like Van Gogh? 681 00:50:13,656 --> 00:50:15,227 (Jennifer chuckles) 682 00:50:15,227 --> 00:50:16,500 Was I a visionary madman? 683 00:50:16,500 --> 00:50:17,333 No. 684 00:50:23,670 --> 00:50:25,470 - When did you start painting right handed? 685 00:50:25,470 --> 00:50:28,173 You know, all your earlier work was with your left. 686 00:50:32,790 --> 00:50:36,543 - My left hand has blood on it, 687 00:50:39,435 --> 00:50:41,035 so it's lost the right to paint. 688 00:50:46,710 --> 00:50:49,200 - It's amazing, I mean, you know, 689 00:50:51,870 --> 00:50:55,383 you paint just as well if not better. 690 00:50:59,070 --> 00:51:01,140 - You wanna hear about the murder, right? 691 00:51:01,140 --> 00:51:01,973 - [Jennifer] No, 692 00:51:04,200 --> 00:51:06,780 not if you don't want to talk about it. 693 00:51:10,758 --> 00:51:13,440 - Well, I'll tell you what I remember. 694 00:51:13,440 --> 00:51:18,440 I remember her voice turning wild like, like an animal, 695 00:51:21,750 --> 00:51:23,730 like nothing I've ever heard. 696 00:51:23,730 --> 00:51:25,173 I remember blood. 697 00:51:27,120 --> 00:51:29,673 I don't know whose, hers or mine. 698 00:51:37,380 --> 00:51:40,680 Everything else is all, uh, just a dream. 699 00:51:42,563 --> 00:51:45,407 I mean, I reach out for it to grab it, 700 00:51:45,407 --> 00:51:47,943 but it just slips away. 701 00:51:51,630 --> 00:51:56,267 All that's real to me is the scream. 702 00:52:00,581 --> 00:52:02,581 I hear that every night. 703 00:52:10,587 --> 00:52:13,170 (Julian sighs) 704 00:52:24,787 --> 00:52:27,787 (Jennifer chuckles) 705 00:52:33,878 --> 00:52:37,545 (dramatic orchestral music) 706 00:52:54,012 --> 00:52:56,512 - Sometimes you just scare me. 707 00:52:57,743 --> 00:52:58,576 - Yeah. 708 00:53:03,503 --> 00:53:08,003 (dramatic orchestral music continues) 709 00:53:33,529 --> 00:53:38,029 (dramatic orchestral music continues) 710 00:54:27,479 --> 00:54:31,803 - [Sherman] Well, let me try and put this delicately, Jen. 711 00:54:33,840 --> 00:54:35,430 There's talk that you're shacking up 712 00:54:35,430 --> 00:54:38,040 with this Julian Jons character. 713 00:54:38,040 --> 00:54:39,590 - [Jennifer] That's ridiculous. 714 00:54:44,190 --> 00:54:45,440 - You were seen together. 715 00:54:46,320 --> 00:54:48,240 - I'm interviewing him. 716 00:54:48,240 --> 00:54:50,866 I'm getting his thoughts. 717 00:54:50,866 --> 00:54:53,783 (Sherman chuckles) 718 00:54:55,680 --> 00:54:58,293 - Your personal life is your personal thing, 719 00:55:00,030 --> 00:55:02,040 but there are questions of ethics here. 720 00:55:05,340 --> 00:55:07,920 - I'm a professional, I know what I'm doing. 721 00:55:07,920 --> 00:55:10,503 - Jennifer, Jennifer, artists are funny people. 722 00:55:11,760 --> 00:55:13,713 They feed off their own obsessions. 723 00:55:14,880 --> 00:55:17,673 You can't separate them from their demons. 724 00:55:18,750 --> 00:55:19,983 You shouldn't try. 725 00:55:23,340 --> 00:55:24,657 - I know what I'm doing. 726 00:55:29,051 --> 00:55:30,218 - Hope you do. 727 00:55:37,062 --> 00:55:39,562 (eerie music) 728 00:55:47,026 --> 00:55:49,530 Artists are funny people. 729 00:55:49,530 --> 00:55:51,423 They feed off their own obsessions. 730 00:55:52,590 --> 00:55:55,177 You can't separate them from their demons. 731 00:55:59,215 --> 00:56:01,592 - A critic should never fall for an artist. 732 00:56:01,592 --> 00:56:03,439 - Glad you two could finally get together. 733 00:56:03,439 --> 00:56:05,756 (Samuel laughing) 734 00:56:05,756 --> 00:56:07,923 - [Man] Is he a good fuck? 735 00:56:18,272 --> 00:56:21,939 (dramatic orchestral music) 736 00:56:41,183 --> 00:56:44,266 (car engine revving) 737 00:56:48,466 --> 00:56:52,966 (dramatic orchestral music continues) 738 00:56:54,322 --> 00:56:55,155 - Hello? 739 00:56:59,833 --> 00:57:00,666 Hello? 740 00:57:07,175 --> 00:57:08,008 Hello? 741 00:57:13,077 --> 00:57:14,699 (John chuckles) 742 00:57:14,699 --> 00:57:15,777 (clears throat) 743 00:57:15,777 --> 00:57:18,753 Um, I just wanted to talk about Anna Richardson. 744 00:57:22,680 --> 00:57:24,240 - Anna Richardson, hmm. 745 00:57:24,240 --> 00:57:26,853 Anna Richardson, how do I know that name? 746 00:57:28,920 --> 00:57:30,120 - You said you knew her. 747 00:57:32,418 --> 00:57:34,117 - Well, I did. 748 00:57:34,117 --> 00:57:36,150 Anna knew everybody. 749 00:57:36,150 --> 00:57:37,800 She'd just jump from one artist 750 00:57:37,800 --> 00:57:39,513 to another like a hungry flea. 751 00:57:40,463 --> 00:57:43,260 I mean, I was young and naive then. 752 00:57:43,260 --> 00:57:46,143 I told you that, but I did manage to, 753 00:57:48,020 --> 00:57:52,620 to satisfy her desires on one occasion. 754 00:57:52,620 --> 00:57:55,470 - But she was in love with Julian, wasn't she? 755 00:57:55,470 --> 00:57:56,920 - Anna was in love with Anna. 756 00:57:57,900 --> 00:57:59,163 There was no contest. 757 00:58:01,380 --> 00:58:04,023 Listen, I'd love to invite you in, but. 758 00:58:06,810 --> 00:58:08,283 - Your Leo's niece. 759 00:58:10,290 --> 00:58:11,123 - Right. 760 00:58:13,294 --> 00:58:14,127 Jennifer, 761 00:58:17,368 --> 00:58:18,451 come join us. 762 00:58:20,357 --> 00:58:21,857 - Some other time. 763 00:58:29,128 --> 00:58:32,795 (dramatic orchestral music) 764 00:58:59,512 --> 00:59:04,012 (dramatic orchestral music continues) 765 00:59:19,506 --> 00:59:21,090 (woman screaming) 766 00:59:21,090 --> 00:59:23,656 - What the fuck are you doing? 767 00:59:23,656 --> 00:59:26,331 - Cut your hair or don't come back here. 768 00:59:26,331 --> 00:59:28,414 Get the fuck out of here. 769 00:59:30,101 --> 00:59:33,184 (car engine revving) 770 00:59:35,248 --> 00:59:38,081 (water splashing) 771 00:59:50,331 --> 00:59:51,425 Remind me. 772 00:59:51,425 --> 00:59:52,600 My medication's almost gone. 773 00:59:52,600 --> 00:59:54,767 I need to get it refilled. 774 00:59:56,514 --> 00:59:58,764 - Can we stay here tonight? 775 01:00:00,131 --> 01:00:01,131 - Here, why? 776 01:00:02,187 --> 01:00:03,270 - Well, 'cause my editor says 777 01:00:03,270 --> 01:00:04,770 that I shouldn't be seen with you in public. 778 01:00:04,770 --> 01:00:05,793 It's unethical. 779 01:00:08,190 --> 01:00:10,800 - Well, ethical or not, there's no food here, so. 780 01:00:10,800 --> 01:00:11,837 - I'm not hungry. 781 01:00:15,390 --> 01:00:20,163 I just would like to stay here with you tonight. 782 01:00:26,340 --> 01:00:27,640 - I don't wanna stay here. 783 01:00:30,454 --> 01:00:34,998 - Maybe you don't want me to stay here. 784 01:00:34,998 --> 01:00:38,748 - (chuckles) Come on. - What? 785 01:00:40,280 --> 01:00:43,542 Do you think it would offend her? 786 01:00:43,542 --> 01:00:44,375 - Oh, please. 787 01:00:44,375 --> 01:00:47,193 - Well, she's always with you, even when you're with me. 788 01:00:49,170 --> 01:00:50,043 - Stop it. 789 01:00:53,580 --> 01:00:55,290 - She cheated on you, Julian. 790 01:00:55,290 --> 01:00:56,290 She didn't love you. 791 01:00:58,986 --> 01:01:00,482 - I'm not gonna discuss Anna with you. 792 01:01:00,482 --> 01:01:01,982 You didn't know her, all right? 793 01:01:01,982 --> 01:01:02,815 - You won't discuss it. 794 01:01:02,815 --> 01:01:03,648 - No, and you couldn't understand it. 795 01:01:03,648 --> 01:01:04,800 - Oh, I couldn't? 796 01:01:04,800 --> 01:01:06,330 She's dead for Christ's sake, she's gone. 797 01:01:06,330 --> 01:01:07,163 - Shut up! 798 01:01:12,120 --> 01:01:13,549 Jennifer. 799 01:01:13,549 --> 01:01:17,132 (ominous orchestral music) 800 01:01:31,140 --> 01:01:34,473 - To the portrait of Kristi and the new Julian Jons show. 801 01:01:35,613 --> 01:01:36,446 (glasses clinking) 802 01:01:36,446 --> 01:01:37,953 - Yes, and to the genius of Jons. 803 01:01:39,030 --> 01:01:42,060 And when do I get to look at this masterpiece? 804 01:01:42,060 --> 01:01:43,810 I'm curious to see what I paid for. 805 01:01:45,030 --> 01:01:47,433 - Tomorrow, stop by the loft. 806 01:01:50,124 --> 01:01:53,791 (dramatic orchestral music) 807 01:01:55,487 --> 01:01:58,320 (Samuel laughing) 808 01:02:08,905 --> 01:02:12,390 (dramatic orchestral music continues) 809 01:02:12,390 --> 01:02:14,690 - They told me that the painting was finished. 810 01:02:15,570 --> 01:02:16,870 I'd really love to see it. 811 01:02:25,714 --> 01:02:28,714 (footsteps tapping) 812 01:02:36,719 --> 01:02:38,636 Is this how you see me? 813 01:02:57,586 --> 01:02:58,419 - Anna. 814 01:03:00,431 --> 01:03:04,098 (dramatic orchestral music) 815 01:03:11,462 --> 01:03:15,795 (choir singing in foreign language) 816 01:04:39,777 --> 01:04:43,360 (ominous orchestral music) 817 01:05:00,883 --> 01:05:04,300 (water droplet plopping) 818 01:05:19,475 --> 01:05:23,058 (ominous orchestral music) 819 01:05:31,411 --> 01:05:36,411 (Julian shouting) (glass shattering) 820 01:05:38,687 --> 01:05:40,188 - Jenny, Jenny. - What? 821 01:05:40,188 --> 01:05:41,206 - He's outside. 822 01:05:41,206 --> 01:05:42,039 - Who? 823 01:05:42,039 --> 01:05:44,086 - [Carrie] Maybe we should call the police. 824 01:05:44,086 --> 01:05:47,003 (knuckles rapping) 825 01:06:00,360 --> 01:06:03,243 - Excuse me, lady, who's got the $15 for the cab? 826 01:06:06,870 --> 01:06:08,467 - Will you take care of that? 827 01:06:15,121 --> 01:06:16,705 - I warned her. 828 01:06:16,705 --> 01:06:18,622 I warned her, didn't I? 829 01:06:25,679 --> 01:06:27,012 - What happened? 830 01:06:38,791 --> 01:06:41,208 - She was with me last night. 831 01:06:44,497 --> 01:06:46,914 She came to see the painting. 832 01:06:52,081 --> 01:06:53,498 I slept with her. 833 01:06:55,028 --> 01:06:56,278 I was drinking. 834 01:07:03,876 --> 01:07:06,459 I feel asleep, or I passed out. 835 01:07:11,495 --> 01:07:12,578 This morning, 836 01:07:18,755 --> 01:07:20,755 she was in the bathroom. 837 01:07:31,406 --> 01:07:32,239 Her eyes. 838 01:07:36,003 --> 01:07:39,586 (ominous orchestral music) 839 01:07:40,670 --> 01:07:42,360 - He can't stay here. 840 01:07:42,360 --> 01:07:43,800 - Maybe he imagined the whole thing. 841 01:07:43,800 --> 01:07:44,633 - Did he imagine the blood? 842 01:07:44,633 --> 01:07:45,753 - It was his own blood. 843 01:07:47,259 --> 01:07:48,092 He was drinking. 844 01:07:48,092 --> 01:07:48,925 He's on medication. 845 01:07:54,060 --> 01:07:55,377 I should go over to his place and see if. 846 01:07:55,377 --> 01:07:56,880 - Are you nuts? 847 01:07:56,880 --> 01:07:57,930 Let the cops do that. 848 01:08:00,300 --> 01:08:02,300 You're not going over there by yourself. 849 01:08:06,520 --> 01:08:08,583 (Carrie scoffs) 850 01:08:08,583 --> 01:08:11,666 (car engine revving) 851 01:08:13,995 --> 01:08:14,828 - Keys. 852 01:08:18,947 --> 01:08:21,215 (car door thuds) 853 01:08:21,215 --> 01:08:24,882 (ominous orchestral music) 854 01:08:33,404 --> 01:08:36,237 (engine whirring) 855 01:08:42,891 --> 01:08:45,474 (door scrapes) 856 01:08:48,235 --> 01:08:49,459 - Hello? 857 01:08:49,459 --> 01:08:50,876 - I'm right here. 858 01:08:51,786 --> 01:08:56,286 (ominous orchestral music continues) 859 01:09:12,170 --> 01:09:14,753 Oh, my God, look at this place. 860 01:09:21,367 --> 01:09:25,784 (ominous orchestral music continues) 861 01:09:28,349 --> 01:09:31,766 (water droplet plopping) 862 01:09:51,760 --> 01:09:56,177 (ominous orchestral music continues) 863 01:10:18,723 --> 01:10:20,306 - No, she was here. 864 01:10:23,578 --> 01:10:25,161 She was right here. 865 01:10:27,082 --> 01:10:28,928 - I don't know, maybe you just, 866 01:10:28,928 --> 01:10:31,178 you dreamt the whole thing. 867 01:10:33,385 --> 01:10:35,968 (Julian sighs) 868 01:10:37,526 --> 01:10:40,262 I could get that refilled for you. 869 01:10:40,262 --> 01:10:43,262 You get some rest, and I'll do that. 870 01:10:53,318 --> 01:10:56,318 (footsteps tapping) 871 01:11:03,494 --> 01:11:06,111 You know, I'm beginning to think 872 01:11:06,111 --> 01:11:07,470 that there was a body up there. 873 01:11:07,470 --> 01:11:08,303 - Right, but we couldn't see her 874 01:11:08,303 --> 01:11:10,380 because she was painted to blend in with the tile floor. 875 01:11:10,380 --> 01:11:11,430 - She wasn't dead. 876 01:11:11,430 --> 01:11:13,350 Someone's trying to fuck with his mind. 877 01:11:13,350 --> 01:11:14,490 - Who is Paul Jackson? 878 01:11:14,490 --> 01:11:15,323 - Who? 879 01:11:17,760 --> 01:11:19,380 Paul Jackson, I don't know. 880 01:11:19,380 --> 01:11:20,213 - Didn't he have something to do 881 01:11:20,213 --> 01:11:21,783 with that model getting killed? 882 01:11:22,740 --> 01:11:24,210 Remember, you read it to me from that article 883 01:11:24,210 --> 01:11:25,410 that day in your office. 884 01:11:28,438 --> 01:11:31,438 (suspenseful music) 885 01:11:33,870 --> 01:11:34,703 - Just get those things 886 01:11:34,703 --> 01:11:36,771 and meet back at the loft in an hour. 887 01:11:36,771 --> 01:11:38,108 - [Carrie] Okay. - Okay. 888 01:11:38,108 --> 01:11:41,191 (car engine revving) 889 01:11:49,097 --> 01:11:50,253 - Hello. - Hello. 890 01:11:51,524 --> 01:11:53,100 - I don't have time for an interview today. 891 01:11:53,100 --> 01:11:56,373 - No, I wanted to return something to you. 892 01:11:57,720 --> 01:12:00,086 Did you, did you lose this? 893 01:12:00,086 --> 01:12:01,868 That's yours, isn't it? 894 01:12:01,868 --> 01:12:03,285 - It was. 895 01:12:03,285 --> 01:12:05,829 I gave it to someone as a gift. 896 01:12:05,829 --> 01:12:06,662 - Who? 897 01:12:06,662 --> 01:12:08,070 - Look, I really don't have time for this today. 898 01:12:08,070 --> 01:12:11,070 We're moving things around for the new Julian Jons show, 899 01:12:11,070 --> 01:12:12,420 and we're all very excited, 900 01:12:12,420 --> 01:12:13,846 but we're very much under the gun. 901 01:12:13,846 --> 01:12:14,804 - Yeah, I should imagine so. 902 01:12:14,804 --> 01:12:17,063 What are you gonna call it, Visions of Madness? 903 01:12:19,702 --> 01:12:21,953 I mean, insanity is a very good selling point. 904 01:12:25,680 --> 01:12:27,570 Is that what this is all about? 905 01:12:27,570 --> 01:12:30,630 You're gonna capitalize on Julian's instability. 906 01:12:30,630 --> 01:12:33,230 Make sure he comes off as crazy whatever that takes. 907 01:12:36,240 --> 01:12:38,670 It is a good way to drive up the prices I suppose. 908 01:12:38,670 --> 01:12:40,860 - Always the cynic. 909 01:12:40,860 --> 01:12:44,610 The reality is I sold the entire collection outright 910 01:12:44,610 --> 01:12:46,050 weeks ago. 911 01:12:46,050 --> 01:12:46,883 - Did you? 912 01:12:48,540 --> 01:12:50,490 Does this person know who he's getting? 913 01:13:02,073 --> 01:13:02,906 Can you explain this to me, 914 01:13:02,906 --> 01:13:05,850 why he has Paul Jackson's medication? 915 01:13:05,850 --> 01:13:09,633 - Ah, Paul Jackson, it's another of Julian's aliases. 916 01:13:11,100 --> 01:13:12,480 - [Jennifer] He would use the name of the man 917 01:13:12,480 --> 01:13:14,972 that caused him to kill his girlfriend? 918 01:13:14,972 --> 01:13:18,690 - Well, Julian always did have a penchant for the macabre. 919 01:13:18,690 --> 01:13:20,130 - I wonder what the Chicago Museum of Art 920 01:13:20,130 --> 01:13:21,280 will think of all this. 921 01:13:22,149 --> 01:13:24,030 - Now, wait just a second. 922 01:13:24,030 --> 01:13:25,890 Now, let's not be too hasty. 923 01:13:25,890 --> 01:13:27,870 - You know, I don't care what kind of a scam 924 01:13:27,870 --> 01:13:28,720 you've got going. 925 01:13:30,690 --> 01:13:32,433 I just wanna know who this man is. 926 01:13:34,720 --> 01:13:37,137 (Leon sighs) 927 01:13:46,500 --> 01:13:49,293 - The real Julian Jons is dead. 928 01:13:50,760 --> 01:13:54,330 Yes, it was three years ago. 929 01:13:54,330 --> 01:13:56,403 He came to me after he left the hospital. 930 01:13:57,330 --> 01:13:58,950 He was looking for help, 931 01:13:58,950 --> 01:14:01,473 and I offered to take a look at his work. 932 01:14:02,430 --> 01:14:04,290 But he didn't have any. 933 01:14:04,290 --> 01:14:06,090 And I offered to support him 934 01:14:06,090 --> 01:14:08,553 in exchange for exclusive representation. 935 01:14:09,630 --> 01:14:11,283 But he couldn't produce. 936 01:14:12,600 --> 01:14:13,833 There was nothing left. 937 01:14:14,940 --> 01:14:18,003 Anna had taken his genius with her. 938 01:14:19,440 --> 01:14:22,350 A month or so later he was gone. 939 01:14:22,350 --> 01:14:23,370 - He killed himself? 940 01:14:23,370 --> 01:14:27,453 - Yes, he died a complete unknown. 941 01:14:28,890 --> 01:14:32,430 So when I came across Anna 14, 942 01:14:32,430 --> 01:14:34,740 I knew it was a fake. 943 01:14:34,740 --> 01:14:36,123 A very good fake, 944 01:14:37,382 --> 01:14:40,140 and a very profitable fake. 945 01:14:40,140 --> 01:14:43,323 - And Paul, 946 01:14:45,926 --> 01:14:47,430 is he in on this? 947 01:14:47,430 --> 01:14:51,963 - No, he really thinks he's Julian. 948 01:14:55,350 --> 01:14:56,763 I'm not a psychiatrist. 949 01:14:57,930 --> 01:14:59,480 I don't know how to explain it. 950 01:15:00,990 --> 01:15:02,290 - But he isn't a murderer. 951 01:15:03,626 --> 01:15:04,980 - Not as far as I know. 952 01:15:04,980 --> 01:15:08,070 I mean, he assumed Julian's name and personality, 953 01:15:08,070 --> 01:15:11,250 and he may have assumed his homicidal tendencies too. 954 01:15:11,250 --> 01:15:12,630 I mean, time will tell. 955 01:15:12,630 --> 01:15:15,420 But now, this is all off the record. 956 01:15:15,420 --> 01:15:18,663 I will deny it publicly with the greatest vehemence. 957 01:15:23,713 --> 01:15:26,340 (car engine revving) 958 01:15:26,340 --> 01:15:27,173 - Hi. 959 01:15:27,173 --> 01:15:28,006 - Hey, you okay? 960 01:15:28,006 --> 01:15:29,100 - [Jennifer] Yeah. 961 01:15:29,100 --> 01:15:30,030 - Here's your folder. 962 01:15:30,030 --> 01:15:31,140 - Thanks. 963 01:15:31,140 --> 01:15:32,514 Do you have any cash? 964 01:15:32,514 --> 01:15:34,097 - [Carrie] I don't. 965 01:16:07,833 --> 01:16:10,833 (footsteps tapping) 966 01:16:49,530 --> 01:16:51,030 - Seven years ago, 967 01:16:53,040 --> 01:16:54,360 Julian killed Anna Richardson 968 01:16:54,360 --> 01:16:57,063 because she was in love with Paul Jackson. 969 01:17:01,170 --> 01:17:05,643 Julian went to an asylum, and Paul disappeared. 970 01:17:11,160 --> 01:17:13,683 And then last year you turn up in San Francisco, 971 01:17:17,010 --> 01:17:20,973 signing your paintings as Julian Jons, but Julian's dead. 972 01:17:22,620 --> 01:17:23,523 He killed himself. 973 01:17:25,271 --> 01:17:27,729 (ominous music) 974 01:17:27,729 --> 01:17:30,247 Are you Paul Jackson? 975 01:17:30,247 --> 01:17:31,683 - What in the hell are you talking about? 976 01:17:31,683 --> 01:17:33,300 - Were you there? 977 01:17:33,300 --> 01:17:34,620 Did you hear her get murdered? 978 01:17:34,620 --> 01:17:37,320 That's why you say that you hear her screaming 979 01:17:37,320 --> 01:17:39,420 in your head all the time. 980 01:17:39,420 --> 01:17:41,340 - Yeah, I was there. 981 01:17:41,340 --> 01:17:42,173 I killed her. 982 01:17:43,050 --> 01:17:47,253 - On the medication, it says your name's Paul Jackson. 983 01:17:48,840 --> 01:17:50,090 - [Julian] It's an alias. 984 01:17:54,990 --> 01:17:57,040 - Do you really believe that you are him, 985 01:18:00,020 --> 01:18:02,307 or are you just fucking with everybody? 986 01:18:04,350 --> 01:18:06,692 - I am who I say I am. 987 01:18:06,692 --> 01:18:09,115 - You're a murderer. 988 01:18:09,115 --> 01:18:11,556 - Yes, I'm a fucking murderer. 989 01:18:11,556 --> 01:18:12,389 - Murder me. 990 01:18:12,389 --> 01:18:14,624 Here, come on, do it. 991 01:18:14,624 --> 01:18:15,596 Stick my eye out. 992 01:18:15,596 --> 01:18:17,429 Come on, do it, do it. 993 01:18:20,684 --> 01:18:22,434 - I'm no killer, huh? 994 01:18:23,793 --> 01:18:25,543 I'm no murderer? 995 01:18:25,543 --> 01:18:28,210 (ominous music) 996 01:18:38,589 --> 01:18:39,825 How 'bout this, huh? 997 01:18:39,825 --> 01:18:41,075 What about her? 998 01:18:55,831 --> 01:18:59,313 (bottles clatter) 999 01:18:59,313 --> 01:19:02,996 - Hello, Miss Cole, what a pleasant surprise. 1000 01:19:02,996 --> 01:19:04,650 What's the matter? 1001 01:19:04,650 --> 01:19:06,720 Julian, are you up to your old tricks again? 1002 01:19:06,720 --> 01:19:07,590 - I have to call the police. 1003 01:19:07,590 --> 01:19:09,570 - No, you're not calling the police. 1004 01:19:09,570 --> 01:19:10,650 It's too soon for the police. 1005 01:19:10,650 --> 01:19:13,140 And don't you move, just stay there. 1006 01:19:13,140 --> 01:19:13,973 Back up. 1007 01:19:15,720 --> 01:19:16,950 Now, first things first. 1008 01:19:16,950 --> 01:19:17,793 Give me the pen. 1009 01:19:18,930 --> 01:19:22,560 That's right, the pen. 1010 01:19:22,560 --> 01:19:24,963 Leo told me you had it, now give it up. 1011 01:19:28,350 --> 01:19:29,183 That's it. 1012 01:19:34,770 --> 01:19:35,703 Oh, that's cute. 1013 01:19:37,740 --> 01:19:38,573 Pick it up. 1014 01:19:39,450 --> 01:19:40,713 Pick it up! 1015 01:19:44,523 --> 01:19:47,190 (ominous music) 1016 01:19:53,880 --> 01:19:54,713 Thank you. 1017 01:19:54,713 --> 01:19:56,580 Very clever of her, Julian, isn't it? 1018 01:19:56,580 --> 01:19:58,110 - He's not Julian. 1019 01:19:58,110 --> 01:20:00,243 - How very perceptive of you, Miss Cole. 1020 01:20:01,979 --> 01:20:04,679 You know, I made that same observation at the opening, 1021 01:20:05,880 --> 01:20:10,530 which is precisely why I have to protect my interests. 1022 01:20:10,530 --> 01:20:13,503 You see, he must die as Julian. 1023 01:20:14,700 --> 01:20:16,680 You can follow that, can't you? 1024 01:20:16,680 --> 01:20:17,583 I knew you could. 1025 01:20:19,260 --> 01:20:22,922 It's just you poor thing, 1026 01:20:22,922 --> 01:20:27,090 you're unfortunate enough to be in the wrong place 1027 01:20:27,090 --> 01:20:28,551 at the right time. 1028 01:20:28,551 --> 01:20:30,360 (Samuel laughing) 1029 01:20:30,360 --> 01:20:32,360 So you see when the cops get here, well, 1030 01:20:33,194 --> 01:20:35,560 they're gonna have two bloody murders 1031 01:20:36,900 --> 01:20:40,953 and one very ghastly looking suicide. 1032 01:20:42,999 --> 01:20:43,832 Paul. 1033 01:20:45,180 --> 01:20:47,800 Paul, do you know what's like 1034 01:20:49,050 --> 01:20:51,903 when a gun goes off through the roof of your mouth, Paul? 1035 01:20:53,139 --> 01:20:56,759 (Samuel chuckles) 1036 01:20:56,759 --> 01:21:00,426 It spackles your brains on the fuckin' wall. 1037 01:21:01,572 --> 01:21:04,170 Kind of like a Jackson Pollock, you know? 1038 01:21:04,170 --> 01:21:05,850 That may be worth more down the road 1039 01:21:05,850 --> 01:21:08,910 than that goddamn stupid fuckin' Anna series 1040 01:21:08,910 --> 01:21:10,589 I bought from you. 1041 01:21:10,589 --> 01:21:11,777 (Samuel laughing) 1042 01:21:11,777 --> 01:21:12,996 - Jen, what's goin' on? 1043 01:21:12,996 --> 01:21:14,829 (ominous music) 1044 01:21:14,829 --> 01:21:16,538 (gun clatters) 1045 01:21:16,538 --> 01:21:19,455 (Jennifer gasping) 1046 01:21:21,408 --> 01:21:23,365 (gunshot bangs) 1047 01:21:23,365 --> 01:21:27,282 (Jennifer gasping and panting) 1048 01:21:39,480 --> 01:21:41,883 - I was waiting for Anna outside Julian's loft. 1049 01:21:44,340 --> 01:21:46,110 I heard her scream. 1050 01:21:46,110 --> 01:21:47,073 I ran inside. 1051 01:21:50,443 --> 01:21:53,977 I watched him gouge her eyes out. 1052 01:21:58,365 --> 01:22:00,115 I couldn't even move. 1053 01:22:06,120 --> 01:22:07,263 I could've saved her, 1054 01:22:08,550 --> 01:22:11,463 but I was just frozen. 1055 01:22:16,830 --> 01:22:20,043 And I turned and started walking, 1056 01:22:23,310 --> 01:22:25,260 and I never stopped. 1057 01:22:25,260 --> 01:22:27,460 I just kept on walking. 1058 01:22:28,390 --> 01:22:31,140 (sirens wailing) 1059 01:22:51,971 --> 01:22:55,205 (Julian sighs) 1060 01:22:55,205 --> 01:22:57,514 - Hello, excuse me. 1061 01:22:57,514 --> 01:23:01,597 Need you to come with us and give us a statement. 1062 01:23:12,316 --> 01:23:15,983 (dramatic orchestral music) 1063 01:23:42,577 --> 01:23:47,077 (dramatic orchestral music continues) 1064 01:23:52,309 --> 01:23:56,209 ♪ Will I speak to you tomorrow ♪ 1065 01:23:56,209 --> 01:24:01,209 ♪ Just keep screamin' the same old line as before ♪ 1066 01:24:03,877 --> 01:24:07,008 ♪ You won't listen to what I'm sayin' ♪ 1067 01:24:07,008 --> 01:24:11,257 ♪ You wanna make sure that there's no surprise ♪ 1068 01:24:11,257 --> 01:24:15,185 ♪ To you anymore ♪ 1069 01:24:15,185 --> 01:24:18,515 ♪ And I know you mean it when you say it ♪ 1070 01:24:18,515 --> 01:24:21,277 ♪ That you really wanna end it ♪ 1071 01:24:21,277 --> 01:24:26,277 ♪ But it's plainly not as simple as you say ♪ 1072 01:24:27,005 --> 01:24:29,885 ♪ I'm trying not to get too distant ♪ 1073 01:24:29,885 --> 01:24:32,809 ♪ But your story's too inconsistent ♪ 1074 01:24:32,809 --> 01:24:37,809 ♪ And you deny it and you lied to me every day ♪ 1075 01:24:39,997 --> 01:24:44,016 ♪ Painting pictures and pretending ♪ 1076 01:24:44,016 --> 01:24:49,016 ♪ Dreaming of a world that can never ever be ♪ 1077 01:24:51,673 --> 01:24:56,673 ♪ Making it fit your story ending ♪ 1078 01:24:56,940 --> 01:25:00,550 ♪ Peace be on your ashes cast to sea ♪ 1079 01:25:00,550 --> 01:25:03,073 ♪ I hope you find your secret ♪ 1080 01:25:03,073 --> 01:25:07,490 ♪ Peace be on your ashes cast to sea ♪ 1081 01:25:21,670 --> 01:25:25,469 ♪ I guess you'll miss the coming new year ♪ 1082 01:25:25,469 --> 01:25:29,881 ♪ You said you hated them anyway ♪ 1083 01:25:29,881 --> 01:25:32,833 ♪ Ain't nothin' new ♪ 1084 01:25:32,833 --> 01:25:36,673 ♪ Same old reruns on TV ♪ 1085 01:25:36,673 --> 01:25:41,035 ♪ Same old sun goin' down every day ♪ 1086 01:25:41,035 --> 01:25:46,025 ♪ Goin' right down on you ♪ 1087 01:25:46,025 --> 01:25:49,909 ♪ Painting pictures and pretending ♪ 1088 01:25:49,909 --> 01:25:54,909 ♪ Dreaming of a world that can never ever be ♪ 1089 01:25:57,753 --> 01:26:02,753 ♪ Making it fit your story ending ♪ 1090 01:26:02,989 --> 01:26:06,829 ♪ Peace be on your ashes cast to sea ♪ 1091 01:26:06,829 --> 01:26:09,140 ♪ Hope you find your secret ♪ 1092 01:26:09,140 --> 01:26:13,557 ♪ Peace be on your ashes cast to sea ♪ 1093 01:27:01,040 --> 01:27:03,623 (gentle music)